Showing posts with label george enescu. Show all posts
Showing posts with label george enescu. Show all posts

Yundi Li in Bucharest, 05.09.2011

Recital YUNDI
The Romanian Atheneum

Program :
Fr. Chopin - Nocturne no. 1 in b flat minor op. 9
Fr. Chopin - Nocturne no. 2 in E flat Major op. 9
Fr. Chopin - Nocturne no. 2 in F sharp Major op.15
Fr. Chopin - Nocturne no. 2 in D flat Major op. 27
Fr. Chopin - Nocturne no. 1 in c minor op. 48
Fr. Chopin - Andante spianato et Grande Polonaise brillante in E flat Major op. 22
Fr. Chopin - Four Mazurkas op. 33 : no. 1 in g sharp minor, no. 2 in D Major, no. 3 in C Major, no. 4 in b minor
Fr. Chopin - Sonata no. 2 in b flat minor op. 35
Fr. Chopin - Polonaise in A flat Major “Heroic” op. 53
.
Yundi
Yundi

Ian Bostridge and Angelika Kirchschlager at the Athenaeum, 06.09.2011

TONKÜNSTLER ORCHESTER NIEDERÖSTERREICH
The Romanian Atheneum

Conductor : HEINZ KARL GRUBER

Program : H.K. Gruber - Northwind Pictures (first audition)
B. Britten - Our Hunting Fathers - for high voice and orchestra op. 8
Soloist : IAN BOSTRIDGE - tenor

K. Weill - Seven deadly sins - satirical "ballet chanté" ("sing ballet") libretto by Bertolt Brecht - 1933 Soloists : ANGELIKA KIRCHSCHLAGER - mezzo-soprano
IAN BOSTRIDGE - tenor
JOHANNES CHUM - tenor
FLORIAN BOESCH - baritone
KLEMENS SANDER - bass
.
IAN BOSTRIDGE and H.K.GRUBER
IAN BOSTRIDGE
IAN BOSTRIDGE
TONKÜNSTLER ORCHESTER NIEDERÖSTERREICH
IAN BOSTRIDGE
IAN BOSTRIDGE
ANGELIKA KIRCHSCHLAGER
ANGELIKA KIRCHSCHLAGER
ANGELIKA KIRCHSCHLAGER
ANGELIKA KIRCHSCHLAGER
ANGELIKA KIRCHSCHLAGER and IAN BOSTRIDGE
ANGELIKA KIRCHSCHLAGER and IAN BOSTRIDGE
ANGELIKA KIRCHSCHLAGER and IAN BOSTRIDGE
ANGELIKA KIRCHSCHLAGER and IAN BOSTRIDGE

Faure Quartett - Athenaeum - 10.09

..
Romanian Atheneum
Series "Enescu and his contemporaries"
"FAURÉ" QUARTETT (piano, violin, viola and cello)
Erika Geldsetzer violin
Sacha Frömbling viola
Konstantin Heidrich cello
Dirk Mommertz piano
..
Program:

Mahler – "Quartettsatz" in a minor
Enescu – Piano quartet no. 1 op. 16
Fauré - Quartet no. 1 in c minor op. 15
..
......Martha Argerich said about them: "ANYONE WHO HEARD THE FAURÉ QUARTETT PERFORM WILL WANT TO HEAR IT AGAIN". Knowing this, I wanted to listen to them. And she is so right. The recorded lots of CDs, gave hundred of concerts and this afternoon they came to Bucharest.
......The musicians founded the Fauré Quartett in 1995 taking on his name out of appreciation for the composer’s two piano quartet pieces. It did not take the quartet long to win top prizes and awards for their interpretations including the “Deutsche Schallplattenpreis”, “Echo”-Prize, “Preis des Deutschen Musikwettbewerbes” and the “Parkhouse Award” in Great Britain. Today it is the leading European ensemble in this permanent formation.
......Ten years later, the Fauré Quartett has already climbed to the top as the only such German chamber ensemble. This led to a recording contract with the Deutsche Gramophone in 2006 for the Mozart Anniversary with the two Mozart piano quartets followed by a Brahms CD release, featuring op. 25 and op. 60, only two years later. The Fauré Quartett has performed on the most important international stages in London (Wigmore Hall), Berlin (Philharmonie), Amsterdam (Concertgebouw), Hamburg, Rio de Janeiro (Sala Cecilia Meireles) Buenos Aires (Teatro Colon) and in Tokyo, Paris and Milan.
......The quartet is also a regular guest at renowned festivals such as the Martha Argerich Festival Buenos Aires, Schleswig-Holstein-Musikfestival, Rheingau-Musik-Festival, Ludwigsburger Festspiele, Festival de Radio France et Montpellier, the Kuhmo Chamber Music Festival, Festspiele Mecklenburg-Vorpommern and Kissinger Sommer to name a few. The Fauré Quartett has toured extensively in West and East Europe, Asia, Mexico, and is a welcome guest in South America, where the Fauré Quartett has already traveled throughout this continent for the fifth time. (http://www.faurequartett.de/)
..
......I couldn't help noticing there were not too many people in the hall. Maybe the hour is not proper and many of those who would have liked to be there are still at work. But I'm sure that next week when Murray Perahia plays there won't be a single spot empty.
......Chamber orchestras, trios, quartets always play with joy and dedication. They feel the music and send the energy to the audience. For this afternoon the Faure Quartett chose beautiful pieces and those who spent 2 hours at the Athenaeum rewarded them with many applauses.
..
Here's a promo video clip for them








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Orchestre Philharmonique de Radio France_Remus Azoitei_Palace Hall_09.09

Palace Grand Hall
Series "Great Orchestras"
ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE
Conductor: DMITRIJ KITAJENKO
Soloist: REMUS AZOITEI - violin
...
Program
Ibert – Ouverture de féte
Enescu - Caprice Roumain for violin and orchestra
Stravinsky – "Firebird"
...
......This was an amazing evening. Much better than what I saw the other night. These people really form an orchestra. They sing together, listen to eachother. The brass section was incredible, especially during "Firebird". It was a real pleasure listening to them. During the first part of the concert I stayed at my place. after the interval I went to the upper part of the hall. Even if most of the people think it's better to stay close to the stage, it's not. at least not for symphonic concerts. If you have to choose, go the balcony (or upper part). Perfect view and hearing.
......At the end of the concert Mr Kitajenco received a medal from our Minister of Culture, Mr Paleologu, in the name of the President of the Republic. The same kind of medal that Mr Vengerov received last evening. I don't know the exact translation in English. In Romanian it is Ordinul „Meritul Cultural”, Categoria B (Muzica) in grad de Cavaler. It's a award for the acomplishments of a certain artis given by the institution of Presidency.
......A few more words about this medal, for those interested. There is a certain number of medals that are given for life. When the owner of a medal dies, the place is empty so somebody else can be awarded. More details here.
......These are the foreign artists that received this medal. But the list is not updated. That's all I found. The list stops in 2004. I know that Remus Azoitei received this award in 2005.
...
2003 Kremer, Gidon Pianist (Letonia)
2003 Marzendorfer, Ernst Conductor (Austria)
2003 Mehta, Zubin Conductor (India)
2003 Plasson, Michel Conductor (Franţa)
2003 Văduva, Leontina Soprano (Franţa)
2003 Foster, Lawrence Conductor (SUA)
2003 Cosma, Vladimir Composer, (France)
2004 Grindea, Carola Piano teacher, (Italy)
2004 Rostropovici, Mstislav Cello/Conductor
....
......Hailed as "an uninhibited virtuoso, with soul and fabulous technique" by The Strad, the Romanian-born violinist Remus Azoitei has achieved international acclaim since his concerto debut at the age of eight. Since then, he has performed extensively as a soloist with all the major orchestras in Romania, as well as being a featured soloist with various ensembles in Europe, North America and Japan. He held a full scholarship to study with Itzhak Perlman, and Dorothy DeLay at the Juilliard School in New York, where he obtained his Master Degree, as well as Maurice Hasson at the Royal Academy of Music in London. He studied also at the Bucharest Conservatoire under Daniel Podlovsky.
......As a recitalist, Remus Azoitei has performed in venues such as Alice Tully Hall in Lincoln Center and CAMI Hall (New York), St-Martin-in-the-fields and Wigmore Hall (London), also appearing in the Music Festivals of Yokosuka, Cambridge, London, Heidelberg, Paris, Santander, Munich and Bucharest, among others. Remus has been broadcast on the Romanian Cultural Channel, BBC Radio 4, Radio Kishinev, as well as on Concert FM in New Zealand. He has worked with artists such as David Geringas, Nigel Kennedy, Gerard Causee, Adrian Brendel and Konstantin Lifshitz. After his London Wigmore Hall debut in 2004, the Sunday Express wrote that "he delivered a memorable programme in front of a packed Wigmore Hall, and had the crowd cheering. He is one fine musician". In 2005, he performed the Bach Double concerto with Nigel Kennedy, concert broadcast on 19 TV and Radio stations across Europe and North America, including Arte and Mezzo. Here it is.


......In 2007, Remus Azoitei released together with pianist Eduard Stan the entire repertoire for violin and piano by George Enescu, a world premiere project. Launched by Hanssler Classics on 2 CDs, this collection has immediately attracted international acclaim. Remus Azoitei is a prize-winner of international violin competitions in Milan, Weimar, Bucharest and Wellington. In 2005 he received “The Cultural Order”, a decoration offered to him for his achievements by the Romanian President.
......Remus Azoitei is sharing his busy concert schedule with the one of teaching. He was appointed violin professor at the Royal Academy of Music in London in 2001, becoming the youngest ever violin professor in the history of this institution. In 2006, Remus was awarded the title of Associate of the Royal Academy of Music, ARAM. He is the founder of the Enescu Society in London, as well as its Artistic Director.
...
Remus Azoitei, at the end of his very difficult concert




...... The members of the orchestra waiting to go on stage again. This is the first time I saw the boxes open. I only saw those for double basses. These are for the violins. They put each violin in its small box and then several violins in these big boxes. They are for transportation purposes.

Back on stage.
This is what the artists see from the stage.


Mr Kitajenko




Receiving the medal


......In order to show the gratitude, there was an encore. Sorry, I don't know what it was. If somebody was there and knows, please help. I tried Dvorak, Sostakovici... no result on youtube.



...
......And now some video examples.

1. Orchestre Philharmonique de Radio France - just to hear how they sound like
(Beethoven's 7th Symphony - second movement - Myung-Whun Chung conducting)


2. A goodie :) Stravinsky conducting his own work - Firebird. He's 82 here.


......Good night. And see you tomorrow. I go listen to them again. They're too good to be missed.




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